Both Fritz Langs Metropolis (1927) and Josef von Sternbergs Der Blaue Engel (1930) appeared during the height of the Golden Age of the Weimar Republic. This Golden Age occurred between 1923 and 1930 and was a crossway of many economic events. Whereas Germany had been in dire economic bye pursual their defeat in World War I, in 1924 the Dawes broadcast was introduced by the US as a means to repatriate and reduce Germanys reparation payments specified by the treaty of Versailles (1918). A currency reform in 1923 also availed in the stabilization of the economy and Germanys industrial sector began to boom. Between 1924 and 1929 industrial business rose by approximately 40%, requital were change magnitude 50% and the number of strikes dropped by an incredible vitamin D%. This large change in the German economic emplacement brought with it a change in ideology. Encouraged by the aid of the US and the American ideals of Fordism and Taylorism, German ideology began to pass to wards capitalistic consumerism. An hopeful perception of the United States arose - it was viewed as a democratic company in which the possibility of success was universal. It was from this capitalist, industrialist ideology that contemporaneity arose.
Germany had begun to move away from its traditionalist ideas, rooted in the ideas of the German Romantics and what was inhabit as der deutsche Sonderweg and towards Zivilisation and the French republican values of liberté, egalité, fraternité. With the substructure of the offshoot moving images in 1895, flick had become a majority medium as early as 1914. In 1917 UFA (Universum ask AG) was created,! a coalition of Germanys largest film companies and the military, which poured large amounts of money into this quick booming industry. After the founding of the Weimar Republic, the role of cinema began to change. If you deficiency to get a full essay, order it on our website:
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